Okay, here’s my problem. Gabe Fox has a really dirty mouth. And a dirty mind. And, basically, he’s a boy.
Gabe and I are pretty much opposites in just about everything. I’m a relatively prim and proper person. Sexual innuendo makes my face go all watermelon-colored. Any talk of bodily functions has me laughing awkwardly or quickly exiting the conversation. If I cuss, it’s usually only because I’ve walked into a wall or door (happens more than I liked to admit).
But I love writing about Gabe, dirty mouth and all. He is one of the main characters in my GIRL WITH BROKEN WINGS series. Here’s the thing about Gabe – he has a huge heart, can spit out a ribald joke in even the most dire of circumstances, and is fiercely loyal to his family. He is the light within the murky and often sad world in which his small family operates.
Earlier this year, I was thrilled to complete RISING, the biggest, most complex book yet in the GIRL WITH BROKEN WINGS series. As with the previous two books and novella in the series, it is written from the point of view of Maya, Gabe’s younger sister. There are so many things I like about this book (and I hope you do too), but something about the book always bugged me.
Not enough Gabe (or cow bell).
I’m going to carefully tiptoe around some spoilers here and just say that Gabe is left behind from the book’s main mission and only gets a brief cameo in the first half of the book. It’s the way things had to be from a plot standpoint, but it doesn’t mean I had to like it.
Gabe didn’t like it either.
When I took long car rides or walks around my neighborhood he kept pestering me about it. I started to listen and discovered that he hadn’t been exactly sitting around twiddling his thumbs during the time Maya and Tarren were hunting a new and dangerous angel threat in Peoria, Illinois.
Gabe wanted me to write his side of the story.
We argued. I kept telling him that I needed to start on book four in the series. More than anything I wondered how I could possibly write an entire novella in Gabe’s voice, in his sarcastic, confident, dirty, hyper-masculine voice.
Gabe was adamant, and the boy can be very persuasive when he wants to be. I buckled like a sandcastle hit by a tsunami.
So, instead of writing book four like I’m supposed to, I am currently in the midst of writing a Gabe novella tentatively called RECOVERING. It has plenty of action, keeping in line with the other stories of the series, but RECOVERING is also really unique in that it will offer a look into Gabe’s personal life outside of the mission.
This novella is proving to be a unique challenge for me, mostly because Gabe is just so…Gabe. He cusses way too much and thinks about sex in ways that Maya would never even consider. Imagine how often my face impersonates a tomato while I write.
I’ve never felt as unsure about a work as this novella. After the second draft I printed out the whole thing and read it out loud. Over and over again I wrote the same thing in the margins: “More Gabe”, meaning that the perspective was drifting back into my voice, not Gabe’s voice. I caught myself over and over again speaking too formally, too politely. Gabe doesn’t do polite. He is candid to the point where the TMI line was three exits ago. He just doesn’t give a flying f…fruit about propriety.
This novella is taking much longer to write and edit than I anticipated, and I’m not sure if readers of the series will even like it. Still, I’m glad I wrote it. Not only was it the right thing to do for Gabe, but it really pushed me (and continues to push me) as a writer to embrace a different voice and to understand Gabe on a much deeper level.
He and I are still polar opposites, but I love him like he was my own brother, and I’m glad that I can give him a voice and his own story. If all goes according to plan, keep a lookout for RECOVERING on Amazon and other online booksellers in September. Or you can sign up for my email list and receive a notice when it hits the market.